Calendar #1 comprises five images from the artist's photo archive that were transferred onto paper, sanded and subsequently stripped off. Although a clear identification of the images is intentionally obstructed by means of wasting them, some parts remain visible so that a connection between them can be made. The five "remains" are hanged one on top of the other on the wall as a sort of calendar.

Image 2: View of one of the images laying beneath the first layer.