This sculpture was done in 2004 and belongs to a group of works dealing with positive and negative form, mass and emptyness, commonly featuring circular shapes, like vessels, receptacles, pipes or balls. These sculptures were kept and storaged for almost ten years during the course of which the surface and inner structure of some of the pieces suffered from cracking and erosion and their compact form, turned into pieces, partly due to the fragile materials employed in their construction. In 2012, coinciding in time with a growing interest in the creation of random visual orderings, the artist retook these sculptural works to experiment with different arrangements of the remaining pieces in space.