Charcoal-pencil on paper
3 parts. 50 x 70 cm each
In 2005, along with the beginning of my film production I started making visual scores to conceive and visualize the films before, during and after its actual shooting. More than a completed fixed storyboard that provides a visual layout of events as they are to be seen through the camera lens, these compositions are permutable sketches that I modify as the idea for the film grows, not always being necessarily a mirror image of what the film ends up being.