The direction towards decomposition of form and a defined representation taken around 2000, affected the cohesion of objects or images I was producing. Soon I started considering developing my work outside the confinements of a sheet of paper, a wall or a closed space. Maybe as a response to that, I started to photograph production processes and arrange those images as slide projections. In these works the image or sculpture appearing has more the category of a sign than an object document to me. In this slides projection I incorporated for the first time newspaper clippings and personal photos.